Tunings concretely:

ccbmd (G 12; Rk – ; Rv –; SK –): 3 pieces [C] in 1 source
ccbmd / cefhk: 3 pieces [C] in 1 source

ccfhf (G 7; Rk –; Rv –; SK 8): 11 pieces [D] in 1 source
ccfhf / cdfh: 11 pieces [D] in 1 source

cdeff (G 4; Rk –; Rv –; SK 22): 1 piece [C] in 1 source
cdeff / cefhkl: 1 piece [C] in 1 source

ddeff (G 3; Rk 9; Rv 9; SK 13): 121 pieces [a C d F] in 21 sources
ddeff / cefh: 40 pieces [d F] in 14 sources
ddeff / cefhk: 2 pieces [C] in 1 source
ddeff / cefhkl: 7 pieces [a C] in 2 sources
ddeff / cefk: 72 pieces [C] in 12 sources

dedfe (G 9; Rk –; Rv –; SK 17): 1 piece [B] in 1 source
dedfe / dfhi: 1 piece [B] in 1 source

dedff (G 6; Rk 10; Rv 10; SK 14): 942 pieces
[? a B B/Es C c c/F D d d/a Es Es/g F F/d f G g g/c] in 39 sources
dedff / cdfhkl: 2 pieces [D] in 1 source
dedff / cefh: 14 pieces [d F] in 6 sources
dedff / cefhk: 1 piece [F] in 1 source
dedff / cefhkm: 55 pieces [a C c d d/a F F/d G] in 4 sources
dedff / cefhkn: 8 pieces [a] in 1 source
dedff / cefk: 52 pieces [F f] in 7 sources
dedff / cegh: 485 pieces [? B c Es F g] in 28 sources
dedff / ceghk: 30 pieces [B c Es g] in 6 sources
dedff / ceghkm: 280 pieces [a B B/Es C c c/F d Es Es/g F f G g g/c] in 18 sources
dedff / cegk: 15 pieces [c f] in 3 sources
dedfg (G 10; Rk 11; Rv 11; SK 18): 12 pieces [c Es f] in 7 sources
dedfg / bdegil: 1 piece [f] in 1 source
dedfg / bdei: 7 pieces [c f] in 3 sources
dedfg / bdfgil: 4 pieces [Es] in 3 sources

defde (G 11; Rk 15/23; Rv 14/22; SK 15): 4 pieces [B] in 2 sources*
defde / dfhi: 4 pieces [B] in 2 sources*
* Since the Ton des Trompettes (F-Pn Vm7 370, fol. 200) or Ton des Archanges" (F-AIXméj Ms. Rés. 17, fol. 116v) is normally a variant of the Nouvel Accord Ordinaire (dfedf; NAO or D-minor tuning), only those pieces are registered here and in the data bank PAN which appeared with certainty in the sources before the NAO came into use.

edeff (G 2; Rk 8; Rv 8; SK 12): 503 pieces [a C D d e G g h] in 29 sources
edeff / cdfh: 469 pieces [a C D d e G g h] in 28 sources
edeff / cdfhk: 1 piece [G] in 1 source
edeff / cdfhl: 13 pieces [e G h] in 1 source
edeff / cefh: 17 pieces [a] in 5 sources
edeff / cefk: 3 pieces [C] in 1 source

edfef (G 8; Rk –; Rv –; SK –): 32 pieces [B D G h] in 2 sources
edfef / cdfh: 5 pieces [h] in 1 source
edfef / dfhl: 27 pieces [B D G h] in 1 source

fdeff (G 1; Rk 6; Rv 6; SK 10): 121 pieces [C D e G g h] in 15 sources
fdeff / cefk: 2 pieces [C] in 1 source
fdeff / cdfh: 117 pieces [D e G g h] in 14 sources
fdeff / cdfhkl: 2 pieces [G] in 1 source

fedff (G 5; Rk 7; Rv 7; SK 11): 173 pieces [g] in 11 sources
fedff / cegh: 173 pieces [g] in 11 sources
The main tunings on one chart: click here.




Description of the Accords Nouveaux in detail:
ccbmd / cefhk (basses earlier [ccbcc]): 3 pieces [C] in 1 source
(for 11-course lute) (G 12; Rk –; Rv –; SK –)

1630-1660 ca, 40-Swan [3 C]

ccfhf / cdfh (basses earrlier [cbcc]): 11 pieces [D] in 1 source
(for 10-course lute) (G 7; Rk –; Rv –; SK 8)

1624 ca, 9-US-Cn 7.Q.5 [11 D]

cdeff / cefhkl (basses earlier [ccbccb]): 1 piece [C] in 1 source
(for 12-course double-headed lute) (G 4; Rk –; Rv –; SK 22)

1630-1645 ca, 18-Pickering D [1 C]

ddeff / cefh (basses earlier [ccbc]): 40 pieces [d F] in 14 sources
(for 10-course lute) (G 3b; Rk 9; Rv 9; SK 13)

1625-1626 ca, 34-D-Us 132 [1 d] (Accor de tierce; p. 56)
1625-1635 ca. 2-CH Bu 53 [1 d]
1627-1637 ca, 30-Rettenwert [1 d]
1630-1636 ca, 27-Reymes [11 d; 2 F]
1630-1645 ca, 18-Pickering [1 d]
1630-1660 ca, 40-Swan [2 d]
1632 ca, 12-Panmure 5 [5 d]
1636 éd., 44-Mersenne 1636-H [1 d]
1636 éd., 45-Mersenne 1636-I [1 d]
1638 éd., 46-Ballard 1638 [1 d]
1640, 20-S-N 1122 [1 d]
1640, 22-S-N 9096:11 [1 d]
1640-1645 ca, 29-F-Pn 6211 [1 d]
1640-1650 ca, 37-Werl [10 d]

ddeff / cefhk (basses earlier [ccbcc]): 2 pieces [C] in 1 source
(for 11-course lute) (G 3c; Rk 9; Rv 9; SK 13)

1640-1642, 38-CH-Zz 907 [2 C]

ddeff / cefhkl (basses earlier [ccbccb]): 7 pieces [a C] in 2 sources
(for 12-course double-headed lute) (G 3d; Rk 9; Rv 9; SK 13)

1630-1645 ca, 18-Pickering [1 C]
1640-1645 ca, 11-Panmure 8 [4 a; 2 C]

ddeff / cefk (basses earlier [ccbe]): 72 pieces [C] in 12 sources
(for 10-course lute) (G 3a; Rk 9; Rv 9; SK 13)

1625-1635 ca, 2-CH Bu 53 [1 C]
1630-1636 ca, 27-Reymes [9 C]
1634 ca, 35-Thynne [2 C]
1635 ca, 7-GB-Ctc O.16.2 [2 C]
1635 ca, 12-Panmure 5 [2 C]
1638 éd., 46-Ballard 1638 [14 C]
1638 éd., 47-P.Gaultier 1638 [20 C]
1640-1642, 38-CH-Zz 907 [1 C]
(Par Becard hormy la huitiesme et la chante[relle] par Bemol; fol. 12v)
1640-1645 ca, 29-F-Pn 6211 [7 C]
1640-1650 ca, 37-Werl [9 C]
1642-1643 ca, 25-GB-Ob B 2 [3 C]
1643-1648, 13-Wemyss [2 C]
(flat saue the 3 sharp; fol. 32v)

dedfe / dfhi (basses earlier [dccb]): 1 piece [B] in 1 source
(for 10-course lute) (G 9; Rk –; Rv –; SK 17)

1643-1648, 13-Wemyss [1 B]
(flat; fol. 39v)

dedff / cdfhkl (basses earlier [cbcccb]): 2 pieces [D] in 1 source
(for 12-course double-headed lute) (G 6i; Rk 10; Rv 10; SK 14)

1706 ca, 33-J-Tn 42 A [2 D]

dedff / cefh (basses earlier [ccbc]): 14 pieces [d F] in 6 sources
(for 10-course lute) (G 6b; Rk 10; Rv 10; SK 14)

1630-1636 ca, 27-Reymes [6 d]
1630-1660 ca, 40-Swan [1 d]
1635 ca, 12-Panmure 5 [3 d]
1636 éd., 44-Mersenne 1636-H [1 F] (tenth course not used; could therefore also be in Accord dedff [ccbe].)
1636 éd., 45-Mersenne 1636-I [1 F]
([accord nouveau] par b mol; p. 91a) (tenth course not used; could therefore also be in Accord dedff [ccbe].)
1650-1660 ca, 4-Gehema [2 d]

dedff / cefhk (basses earlier [ccbcc]): 1 piece [F] in 1 source
(for 11-course lute) (G 6f; Rk 10; Rv 10; SK 14)

1640-1642, 38-CH-Zz 907 B [1 F]

dedff / cefhkm (basses earlier [ccbccc]): 55 pieces [a C c d d/a F F/d G] in 4 sources
(for 12-course double-headed lute) (G 6h; Rk 10; Rv 10; SK 14)

1640-1645 ca, 11-Panmure 8 [6 F]
1650-1660 ca, 4-Gehema [1 C; 1 c; 12 d; 12 F; 1 G]
1676 éd., 49-Mace 1676 [1 a; 7 d; 6 d/a; 6 F/d]
1706 ca, 33-J-Tn 42 [1 C; 1 d]

dedff / cefhkn (basses earlier [ccbccd]): 8 pieces [a] in 1 source
(for 12-course double-headed lute) (G 6j; Rk 10; Rv 10; SK 14)

1676 éd., 49-Mace 1676 [8 a]
dedff / cefk (basses earlier [ccbe]): 52 pieces [F f] in 7 sources
(for 10-course lute) (G 6d; Rk 10; Rv 10; SK 14)

1630-1636 ca, 27-Reymes [1 F]
1635 ca, 12-Panmure 5 [4 F]
1636 éd., 44-Mersenne 1636-H [1 F]
1636 éd., 45-Mersenne 1636-I [1 F]
1638 éd., 47-P.Gaultier 1638 [30 F]
1640-1645 ca, 29-F-Pn 6211 [11 F; 1 f]
1640-1650 ca, 37-Werl [3 F]
dedff / cegh (basses earlier [cccb]): 485 pieces [? B c Es F g] in 28 sources
(for 10-course lute) (G 6a; Rk 10; Rv 10; SK 14)

1625-1635 ca, 2-CH Bu 53 [2 B; 1 F; 13 g]
1627-1637 ca, 30-Rettenwert [1 B]
1630-1635 ca. 36-Board [6 g]
1630-1636 ca, 27-Reymes [9 B; 1 F; 20 g]
1630-1645 ca, 18-Pickering [1 B; 2 g]
1630-1660 ca, 40-Swan [4 B; 13 g]
1631 éd., 43-Ballard 1631 [39 B; 16 g]
1634 ca, 35-Thynne [5 B; 1 c; 11 g] (the tenth course is not used in the piece in C minor. Thus the lute might have also been tuned in the Accord dedff [cccd] for this piece.)
1635 ca, 7-GB-Ctc O.16.2 [1 B; 1 g]
1635 ca, 12-Panmure 5 [1 ?; 24 B; 23 g]
1638 éd., 46-Ballard 1638 [4 B; 17 g]
1638 éd., 47-P.Gaultier 1638 [2 B; 13 Es; 19 g]
1639, 21-S-N 9074 [2 g]
1640, 20-S-N 1122 [2 B; 6 g] (B Mol; Fol. 1)
1640 ca, 31-US-R 186 [1 F; 17 g]
(Le ton rauissant; p. 55)
1640-1642, 38-CH-Zz 907 [1 B; 7 g] (bémol; fol. 6 etc.)
1640-1645 ca, 11-Panmure 8 [1 F; 5 g]
1640-1645 ca, 29-F-Pn 6211 [3 B; 9 g]
1640-1650 ca, 37-Werl [18 B; 1 c; 2 F; 77 g]
1640-1650 ca, 42-F-Pn 16987 [1 B]
1643-1648, 13-Wemyss [5 B; 7 g]
(flat, flatt; fol. 32v etc.)
1645 ca, 14-A-KR 81 [1 B; 2 F; 29 g]
1650-1660 ca, 4-Gehema [6 B; 16 g]
1656 ca, 3-D-B 40068 [3 g]
1660 ca, 26-GB-Ob E 411 [4 B; 1 F; 5 g]
(flat tuning; fol. 78)
1664-1668 ca, 28-Keller [1 B]
1665-1675 ca, 8-US-CAh 174 [1 g]
1670-1680 ca, 6-B-Br 276 [1 g]
dedff / ceghk (basses earlier [cccbc]): 30 pieces [B c Es g] in 6 sources
(for 11-course lute) (G 6e; Rk 10; Rv 10; SK 14)

1630-1660 ca, 40-Swan [1 g]
1640 ca, 31-US-R 186 [1 g]
1640-1642, 38-CH-Zz 907 [1 c]
1640-1650 ca, 37-Werl [2 B; 20 g]
1660-1665 ca, 23-D-Ngm 6 [3 g]
1706 ca, 33-J-Tn 42 [1 Es; 1 g]

dedff / ceghkm (basses earlier [cccbcc]): 280 pieces [a B B/Es C c c/F d Es Es/g F f G g g/c] in 18 sources
(for 12-course double-headed lute) (G 6g; Rk 10; Rv 10; SK 14)

1630-1636 ca, 27-Reymes [6 B; 9 g]
1630-1645 ca, 17-M.L. [2 c]
1630-1645 ca, 41-D-Gs 3150 [2 B]
1630-1645 ca, 18-Pickering [1 B; 4 g]
1630-1660 ca, 40-Swan [2 c; 2 g]
1635 ca, 7-GB-Ctc O.16.2 [4 B]
1640 ca, 31-US-R 186 [5 g] 1640-1645 ca, 11-Panmure 8 [4 B; 3 c; 1 Es; 1 f; 16 g]
1643-1648, 13-Wemyss [2 B; 3 g]
1650-1660 ca, 24-D-Ngm 8 [2 C; 6 c; 1 g]
1650-1660 ca, 4-Gehema [9 B; 1 C; 32 g]
1652 éd., 48-Mathew 1652 [10 B; 1 C; 5 c; 10 Es; 3 f; 3 g]
1656 ca, 3-D-B 40068 [5 g]
1660 ca, 26-GB-Ob E 411 [2 B; 14 g]
1665 ca, 39-Tabley [2 g]
1670 ca, 32-D-ROu 54 [7 B; 5 c; 3 g]
1676 éd., 49-Mace 1676 [1 a; 20 B; 6 B/Es; 9 c; 6 c/F; 2 d; 9 Es; 6 Es/g; 8 F; 10 g; 6 g/c]
(Flat-French-Tuning; p. 83)
1706 ca, 33-J-Tn 42 [2 B; 2 c; 1 G; 4 g]
dedff / cegk (basses earlier [cccd]): 15 pieces [c f] in 3 sources
(for 10-course lute) (G 6c; Rk 10; Rv 10; SK 14)

1638 éd., 47-P.Gaultier 1638 [5 c]
1640-1645 ca, 29-F-Pn 6211 [6 c; 3 f]
1643-1648, 13-Wemyss [1 c]

dedfg / bdegil (basses earlier [bcbccc]): 1 piece [f] in 1 source
(for 12-course double-headed lute) (G 10b; Rk 11; Rv 11; SK 18)


1640-1645 ca, 11-Panmure 8 [1 f]
dedfg / bdei (basses earlier [bcbe]): 7 pieces [c f] in 3 sources
(for 10-course lute) (G 10a; Rk 11; Rv 11; SK 18)

1635 ca, 12-Panmure 5 [1 f]
1638 in: 47-P-Gaultier 1638 [5 f]
1645 ca, 14-A-KR 81 [1 c]

dedfg / bdfgil (basses earlier [bccbcc]): 3 pieces [Es] in 2 sources
(for 12-course double-headed lute) (G 10c; Rk 11; Rv 11; SK 18)

1650 ca, 51-B-Gu HS. 3898/15 [1 Es]
1650-1660 ca, 24-D-Ngm 8 [2 Es]
1676 ca, in: 16-Botnia [1 Es]

defde / dfhi (basses earlier [dccb]): 4 pieces [B] in 2 sources*
(for 10-course lute) (G 11; Rk 15/23; Rv 14/22; SK 15)

1630-1636 ca, 27-Reymes [3 B]
1635 ca, 12-Panmure 5 [1 B]
* Since the Ton des Trompettes (F-Pn Vm7 370, fol. 200) or Ton des Archanges (F-AIXméj Ms. Rés. 17, fol. 116v) is normally a variant of the Nouvel Accord Ordinaire (dfedf; NAO or D-minor tuning), only those pieces are registered here (and in the data bank PAN) which appeared with certainty in the sources before the NAO came into use.
edeff / cdfh (basses earlier [cbcc]): 469 pieces [a C D d e G g h] in 28 sources
(for 10-course lute) (G 2a; Rk 8; Rv 8; SK 12)

1624 ca, 9-US-Cn 7.Q.5 [23 D; 3 h]
1625 ca, 5-CH-BEa 123 [3 D]
1625-1626 ca, 34-D-Us 132 [2 D]
(Ton de tierce par B [natural sign]; p. 64)
1625-1635 ca, 2-CH Bu 53 [14 D; 1 e; 1 G; 4 h]
1627-1637 ca, 30-Rettenwert [2 D; 1 G; 1 h]
1630-1635 ca. 36-Board [13 D; 1 G]
1630-1636 ca, 27-Reymes [6 D; 4 G; 6 h]
1630-1645 ca, 18-Pickering [5 D; 2 G; 1 h]
(Tuning Gautier; fol. 45)
1630-1660 ca, 40-Swan [7 D; 1 G; 1 g; 1 h]
1631 éd., 43-Ballard 1631 [6 C; 13 D; 4 e; 7 G; 1 h]
1634 ca, 35-Thynne [1 a; 11 D; 10 G]
(old tuning; which should here be understood as meaning “the tuning used earlier”; fol. 16v)
1635 ca, 12-Panmure 5 [17 D; 3 e; 10 G; 1 h]
1635 ca, 7-GB-Ctc O.16.2 [6 D; 1 G]
1636 éd., 44-Mersenne 1636-H [1 D]
1636 éd., 45-Mersenne 1636-I [1 D]
(accord nouveau par [natural sign] quarre; p. 91a)
1638 éd., 47-P.Gaultier 1638 [4 G]
1639, 21-S-N 9074 [1 G]
1640, 20-S-N 1122 [7 D; 11 G]
(B quare; fol. 1)
1640, 22-S-N 9096:11 [2 D; 4 G]
1640 ca, 19-Galilei/Werl [1 G]
1640 ca, 31-US-R 186 [12 D; 5 G]
1640-1642, 38-CH-Zz 907 [6 D; 1 e; 14 G]
(Pecard; fol. 18 und 21v)
1640-1645 ca, 10-D-Do 1214.1 [1 C; 25 D; 1 d; 1 e; 38 G]
1640-1645 ca, 29-F-Pn 6211 [1 D]
1640-1650 ca, 37-Werl [13 D; 1 d; 2 e; 27 G; 2 h]
1643-1648, 13-Wemyss [1 a; 14 D; 1 e; 30 G]
(sharp; The sharp tun uhich called gautirs tune; fol. 26v)
1645 ca, 14-A-KR 81 [20 D; 1 e; 6 G; 3 h]
1710 ca, 1-Balcarres [5 D; 2 G]
(The highest tuening of the lute; p. 216)

edeff / cdfhk (basses earlier [cbccc]): 1 piece [G] in 1 source
(for 11-course lute) (G 2d; Rk 8; Rv 8; SK 12)

1640-1642, 38-CH-Zz 907 [1 G]

edeff / cdfhl (basses earlier [cbccd]): 13 pieces [e G h] in 1 source
(for 11-course lute) (G 2e; Rk 8; Rv 8; SK 12)

1640-1645 ca, 10-D-Do 1214.1 [10 e; 2 G; 1 h]
edeff / cefh (basses earlier [ccbc]): 17 pieces [a] in 5 sources
(for 10-course lute) (G 2b; Rk 8; Rv 8; SK 12)

1625-1635 ca, 2-CH Bu 53 [7 a]
1627-1637 ca, 30-Rettenwert [1 a]
1631 éd., 43-Ballard 1631 [1 a]
1635 ca, 12-Panmure 5 [6 a]
1640-1650 ca, 37-Werl [2 a]

edeff / cefk (basses earlier [ccbe]): 3 pieces [C] in 1 source
(for 10-course lute) (G 2c; Rk 8; Rv 8; SK 12)

1638 éd., in: 46-Ballard 1638 [3 C]

edfef / cdfh (basses earlier [cbcc]): 5 pieces [h] in 1 source
(for 10-course lute) (G 8a; Rk –; Rv –; SK –)

1630-1636 ca, 27-Reymes [5 h]
edfef / dfhl (basses earlier [dccd]): 27 pieces [B D G h] in 1 source
(for 10-course lute) (G 8b; Rk –; Rv –; SK –)

1624 ca, 9-US-Cn 7.Q.5 [1 B; 6 D; 1 G; 19 h]

fdeff / cefk (basses earlier [ccbe]): 2 pieces [C] in 1 source
(for 10-course lute) (G 1b; Rk 6; Rv 6; SK 10)

1640-1650 ca, 37-Werl [2 C]
fdeff / cdfh (basses earlier [cbcc]): 117 pieces [D e G g h] in 14 sources
(for 10-course lute) (G 1a; Rk 6; Rv 6; SK 10)

1624 ca, 9-US-Cn 7.Q.5 [1 D; 1 e; 49 G; 1 g; 3 h]
1625 ca, 5-CH-BEa 123 [6 G]
1625-1626 ca, 34-D-Us 132 [3 G]
(ton de harpe de B [natural sign] et Ton de la harpe par [natural sign]; p. 58 und fol. IVv)
1625-1635 ca, 2-CH Bu 53 [4 D; 6 G] (Ton de la harpe par b dur; fol. 19v)
1627-1637 ca, 30-Rettenwert [9 G]
1630-1635 ca, 36-Board [7 G]
(harpway; fol. 32v)
1630-1660 ca, 40-Swan [1 D; 7 G]
1630-1636 ca, 27-Reymes [1 d; 2 e; 1 g]
1634 ca, 35-Thynne [2 G]
1638 éd., 47-P.Gaultier 1638 [1 G]
1640-1645 ca, 10-D-Do 1214.1 [2 G]
1645 ca, 14-A-KR 81 [6 G]
1650-1660 ca, 4-Gehema [2 G]
1710 ca, 1-Balcarres [2 G]
(The highest tuning of the lute with 1st string tuned up half a note; p. 218 – therefore a variant of edeff)
fdeff / cdfhkl (basses earlier [cbcccb]): 2 pieces [G] in 1 source
(for 12-course double-headed lute) (G 1c; Rk 6; Rv 6; SK 10)

1630-1645 ca, 18-Pickering [2 G] fedff / cegh (basses earlier [cccb]): 173 pieces [g] in 11 sources
(for 10-course lute) (G 5; Rk 7; Rv 7; SK 11)

1624 ca, 9-US-Cn 7.Q.5 [6 B; 107 g]
1625 ca, 5-CH-BEa 123 [1 B; 8 g]
1625-1626 ca, 34-D-Us 132 [2 g]
(Ton de la Harpe par Bemol, Ton de la harpe par b; p. 66 und fol. IVv)
1625-1635 ca, 2-CH Bu 53 [4 g] (Ton de la harpe par b mol; fol. 25v)
1625-1640 ca, 15-D-LEm 26 [1 g]
1627-1637 ca, 30-Rettenwert [2 g]
1630-1635 ca. 36-Board [6 g]
1630-1636 ca, 27-Reymes [24 g]
1630-1645 ca, 18-Pickering [4 g]
(Harpe-way, Tuning flat-way or Lawrence; fol. 44)
1630-1660 ca, 40-Swan [7 g]
1634 ca, 35-Thynne [1 g]